TRAJECTORIA bietet einen kreativen und experimentellen Raum, in dem Autor:innen aktuelle Entwicklungen der anthropologischen Forschung hinterfragen, etablierte Ansätze und innovative Konzepte kritisch erkunden und die Vielfalt visueller Genres und Praktiken bereichern können.
EN The multi-media publication „Geography of Ghosts. A LiDAR video essay on refugee health and in/visibility“ by Dominic Schwab and Wanda Spahl will be released with Peer-Reviewed Journal TRAJECTORIA, Volume 7, in March 2026. The journal publishes at the intersection of Visual Anthropology, Museums, and Art. It seeks to stretch the boundaries and expand the scope of scholarship in visual practice and representation.
TRAJECTORIA offers a creative and experimental place where contributors can scrutinise current trends in anthropological research, critically explore both well-established ideas and innovative concepts, and enrich a plethora of visual genres and praxes.
Osaka (JP)
Institution
National Museum of Ethnology
Support
Kai Kagitani
Das Projekt befasst sich mit Musik im urbanen Raum als Gegenkultur zu sozialer Unterdrückung und als Ort inklusiver Koexistenz. Es untersucht den alltäglichen Widerstand der Jazz-Subkultur der langhaarigen und nonkonformistischen „Schlurfs“ im Wien der 1930er und 1940er Jahre unter nationalsozialistischer Herrschaft. Durch Mehrkanal-Klangerlebnisse auf Fahrrädern und Augmented-Reality-Erlebnisse im öffentlichen Raum können ihre Geschichten im heutigen Wien erlebt werden und werden kollektive Diskussionen über ihre Resonanz mit aktuellen sozialen Herausforderungen angestoßen.
EN The project „Resonance & Resistance: Tracing the Sound of Vienna’s Counter-Culture“, led by PARABOL co-founder Wanda Spahl and artist and artistic researcher Conny Zenk received funding from the City of Viennain the context of the call for contemporary forms of remembrance for the Republic of Austria’s 2025 anniversary.
The project addresses music in urban space as a counter-culture to social oppression and as a site of inclusive co-existence. It will explore the everyday resistance of the jazz subculture of the long haired and nonconformist “Schlurfs” in Vienna during the 1930s and 1940s under National Socialist rule. Through multichannel sound experiences on bikes and augmented reality experiences in public space, their histories can be experienced in today’s Vienna and open up collective discussions of their resonance with contemporary social challenges.
Vienna (AT)
Institution
Cultural Department of the City of Vienna
2024
EN The new book by American critic of art, architecture, and design Aaron Betsky refers to our project GEOGRAPHY OF GHOSTS. In “Don’t Build, Rebuild: The Case for Imaginative Reuse in Architecture” (2024), Betsky discusses our work as an example of what he calls ‘a digital work of art (that) documents, speculates, and builds a completely ephemeral space out of fragments of a reality inhabited by different groups in different ways and often at different times (citation p. 190).’
Boston (US)
Publishing House
Beacon Press
Author
Aaron Betsky
15.03.2024 - 29.03.2024
EN The exhibition at the Vienna Medical Chamber shared GoG’s artistic research with doctors, an important target group for the health concerns of refugees. The opening took place as part of the ‘Medical Diversity Days,’ which offered specialist lectures on health topics. PARABOL produced brochures for the exhibition, which summarised the project for doctors.
Vienna (AT)
Institution
Vienna Medical Chamber
EN The short film ‘Geography of Ghosts’ combines narratives of personal experience with the materiality of the 3D LIDAR scanning process. It unfolds spatial fragments collected in and around Vienna: the interior of a sprawling doctor's office, a subway station, the interior of an asylum shelter in a building once constructed as a hospital and the surroundings of another shelter, embedded in the context of a school, a court and a police station. The result is a visual language that, on the one hand, quotes medical imaging procedures and, on the other, questions the “objective” representations of illness by negotiating past and future wishes, disappointments and hopes.
18:23 Min.
Format
HD 1920 x 1080
Editing & Camera
Dominic Schwab
Script
Wanda Spahl
Voices (German/English/Arabic/Farsi)
Nour Barakeh, Sophia Hörmann, Amrullah Mohmand, Johanna Paschen, Helena Segarra
17.06.23
EN The Panel Discussion invited an English-speaking audience to reflect on the connection between scientific and artistic methods, with questions such as: What is the significance of artistic practice in the context of scientific disciplines? What motivates artists to collaborate with scientists (and vice versa)? What hinders or enables this joint work? Wanda Spahl (PARABOL) moderated the lively discussion. Afterward, attendees were invited to a reception with drinks and snacks.
Vienna (AT)
Institution
Fabrikraum
Moderation
Wanda Spahl
Participants
Nour Barakeh (Public Policy Specialist and Innovative Presenter), Jerome Becker (MAGAZIN. space for contemporary architecture; Faculty of Architecture, KU Leuven), Elisabeth Falkensteiner (AIL Angewandte Interdisciplinary Lab, University of Applied Arts Vienna), Katharina Gsöllpointner (Department International Programmes in Sustainable Developments, University of Applied Arts Vienna), Dominic Schwab (./studio3, Institute for Experimental Architecture, University of Innsbruck; PARABOL), Mirko Winkel (mLAB, Institute of Geography, University of Bern), with a welcome by Deniz Güvensoy (FABRIKRAUM)
Photo Credits
Jakub Klak, Dominic Schwab
15.06.2023
EN Wanda Spahl presented PARABOL’s artistic research in the talk ‘3D LIDAR Scans as a Social Science Method for Researching Health.’ She reflected on the scientific-artistic collaboration in the Geography of Ghosts project and possible further fields of application for the developed method. The workshop brought together researchers from the Health Matters research group (Prof. Janina Kehr, Department of Cultural and Social Anthropology, University of Vienna) and the Centre for the Study of Contemporary Solidarity (Prof. Barbara Prainsack, Department of Political Science, University of Vienna).
Vienna (AT)
Institution
University of Vienna
13.06.2023
EN At the free Kids Day, mothers, parents with babies and small children were invited to the “Geography of Ghosts” exhibition at the gallery Fabrikraum. Snacks and drinks were provided, and there was the opportunity to picnic and play on the lawn in front of the gallery. A babysitter ensured that parents could visit the exhibition undisturbed. The Kids Day was supported by the Centre for the Study of Contemporary Solidarity (Prof. Barbara Prainsack, Department of Political Science, University of Vienna).
Vienna (AT)
Institution
Fabrikraum
Support
Güneş Doğan
Photo Credits
Güneş Doğan
02.06.2023 - 23.06.2023
EN The social scientist Wanda Spahl offered free guided tours through the exhibition GoG at the gallery Fabrikraum. She provided insights into PARABOL’s working methods as well as spatial and material aspects of the health of refugees. Together, questions such as the following were discussed: How do hospitals create a sense of belonging? What does an X-ray image reveal? Do we live here and there at the same time? Each of the tours – two in English and one in German – was attended by 8 to 12 people.
Vienna (AT)
Institution
Fabrikraum
Support
Güneş Doğan
Photo Credits
Güneş Doğan
02.06.2023 - 23.06.2023
EN Specifically designed for the gallery’s space, the exhibition further developed the GoG project. It attends to the in/visibility of refugees in the healthcare system, societal discourse and public space. Interweaving the lucid, spectral and inconsistent materiality of 3D scanning technologies with spoken stories, political statements and conceptual thoughts, the exhibition unfolds a landscape of spatial narratives. The exhibition venue in a working-class district of Vienna facilitated a dialogue with refugees in Vienna and with people working in the Viennese healthcare system. The exhibition opening was part of the Independet Space Index Festival 2023.
Vienna (AT)
Institution
Fabrikraum
Support
Güneş Doğan, Deniz Güvensoy, Sarah Wilhelmy
Photo Credits
Jakub Klak, Dominic Schwab